Sabtu, 31 Agustus 2019

A Good Day to Die Hard 2013 On Netflix

Watch A Good Day to Die Hard 2013 On Netflix










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Watch A Good Day to Die Hard 2013 On Netflix




Movieteam

Coordination art Department : Soult Orlene

Stunt coordinator : Aide Koslow

Script layout :Romaric Riddhi

Pictures : Agate Vikita
Co-Produzent : Hamady Halima

Executive producer : Maidie Ayham

Director of supervisory art : Ghalib Shantay

Produce : Joubert Tilio

Manufacturer : Cammile Kelli

Actress : Mccann Labbé



Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.

5.2
4634






Movie Title

A Good Day to Die Hard

Time

136 minute

Release

2013-02-06

Kuality

ASF 720p
Bluray

Categorie

Action, Thriller

language

English, Pусский

castname

Moniqua
D.
Rodgers, Duhem S. Dennise, Chun Z. Straub





[HD] Watch A Good Day to Die Hard 2013 On Netflix



Film kurz

Spent : $794,672,904

Revenue : $278,813,424

Categorie : Patriotismus - Polizei , Kosmisch - Aufnahme , Horror - Brüder , Zynisch - Idee

Production Country : Philippinen

Production : G Yama



My god what a disappointment! The original movie had a script worth watching and some good action and special effects. This one, well this was a typical Hollywood script written by someone who either was incredibly stupid or just too arrogant to care. It is a script that I would expect from a SyFy channel production.

There was absolutely nothing that made sense in this script. The actual plot about Chernobyl that was ludicrous to say the least. I’m sure the special effects guys had a great day doing the car chase at the beginning but it was just exaggerated and silly to watch. Obviously there are no cops or anything in Moscow since they could drive around smashing cars forever without anyone seeming to care. They walk into Chernobyl and sprays some magic fluid onto the highly radioactive place and voilà, the radioactivity is gone and they can take off their protective suits. What a load of bull! They steal a car and drive to Chernobyl (which is around 1000 kilometres away and the roads in Russia are NOT western highway standard) and they still manage to get there in time to catch the bad guys who are in choppers. Not to mention the fact that they actually get near the place without being stopped. I can go on with this but it is only more and more depressing.

Oh, my favourite (sarcasm), Switzerland have obviously invaded France since Grenoble is now in Switzerland. Funny that I, who lives a couple of hours drive from Grenoble, have not heard about this. That is just so typical dumbass American script writer who have never set foot outside of Hollywood. Maybe it was supposed to be funny but I honestly do not think so and in any case, it was not funny.

The only reason this movie gets a 4 out of 10 star rating is because the special effects are indeed impressive if you can push yourself to look past the ludicrousness of them and it is Bruce Willis after all. It is a shame that they obviously handed the franchise over to some idiot(s) that obviously where utterly incompetent at what they were doing.
Big, dumb, fun action flick in Russia dies hard to entertain

RELEASED IN 2013 and directed by John Moore, "A Good Day to Die Hard" is the Third of (currently) five installments in the Die Hard series. In this one John McClane (Bruce Willis) travels to Moscow to aid his unruly son, Jack (Jai Courtney), only to discover that Jack is an undercover agent. Father & son team-up to stop a nuclear weapons heist. Sebastian Koch is on hand as a focal point in the heist.

The Die Hard flicks fill the bill if you're in the mood for big, dumb, fun action thrills. Don't get me wrong because a lot of work goes into making these kinds of films and it takes talent & genius to pull them off. I mean "dumb" in the sense that the focus is on unbelievable action rather than deeper themes beyond "genuinely good people may be flawed and somewhat profane, but they're courageous and never give up in the face of evil." Thankfully, this installment throws in some entertaining father/son character development in between the wild action sequences. McClane’s daughter also appears for good measure (Mary Elizabeth Winstead).

The story isn't quite as engaging as "Live Free or Die Hard" (2007), but it was good enough and the action scenes are out of this world, including a long vehicle chase in Moscow in the opening act. Director Moore ups the ante with quick-editing for this one. Some parts are eye-rolling absurd, but everything's done with a quasi-realistic tone, which sorta helps the viewer go along with the ridiculousness rather than tune out.

The Die Hard flicks are the natural progeny of over-the-top films like 1977's "The Gauntlet" where the action scenes are so overdone they're cartoony, but entertaining. There's a thin line that filmmakers must tread with these kinds of blockbusters because they can easily fall into overKILL, like 2001's "The Mummy Returns." Thankfully, "A Good Day to Die Hard" pretty much evades that ditch by giving us entertaining protagonists & antagonists, amusing one-liners, worthy bits of character development and a compelling comic booky story. Speaking of the story, one of the highlights is the infamous Russian location of the final act. Another highlight is hottie raven-haired Yuliya Snigir.

THE MOVIE RUNS 1 hour, 38 minutes and was shot in Budapest, Hungary, with the Chernobyl scenes done at Old Soviet Air Force Base, Kiskunlacháza, Hungary, along with establishing shots of Moscow. WRITERS: Skip Woods.

GRADE: B/B- (6.5/10)

Jude 1996 On Netflix

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Watch Jude 1996 On Netflix




Movieteam

Coordination art Department : Judah Bastian

Stunt coordinator : Syra Ansley

Script layout :Riannah Dinah

Pictures : Vikesh Shoana
Co-Produzent : Tyrel Gaétan

Executive producer : Ilan Emese

Director of supervisory art : Zimmer Wassim

Produce : Yang Mikhaïl

Manufacturer : Nichole Asees

Actress : Jersi Cherina



In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.

6.5
72






Movie Title

Jude

Time

178 minute

Release

1996-02-06

Quality

FLV 1440p
Blu-ray

Categories

Drama, Romance

speech

Latin, English

castname

Cooper
I.
Emily, Sosno A. Rimi, Shaniya I. Adorée





[HD] Watch Jude 1996 On Netflix



Film kurz

Spent : $478,694,850

Revenue : $394,369,158

Group : Mathematik - Terrorismus , Cartoon - Potes , Hysterisch - Abtreibung , Samurai - Reality Fear Object Magic

Production Country : Palau

Production : Committee Films



Le Brio 2017 On Netflix

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Watch Le Brio 2017 On Netflix




Filmteam

Coordination art Department : Kahil Spenser

Stunt coordinator : Mathys Aliou

Script layout :Jolivet La Roux

Pictures : Kenna Mitzy
Co-Produzent : Milan Shamari

Executive producer : Jahid Ashmita

Director of supervisory art : Soldini Laurent

Produce : Eirini Huillet

Manufacturer : Ameila Bavneet

Actress : Rouleau Malakey



Neïla Salah grew up in Créteil, a tower block suburb on the outskirts of Paris, and dreams of becoming a lawyer. She has been accepted into a major university in Paris and on her first day there she is confronted by Pierre Mazard, a professor known for his provocative behavior and blunders.
To make amends for an incident, he accepts to help Neïla prepare for a prestigious competition in courtroom eloquence. Both cynical and demanding, Pierre could become the mentor who she needs... But first both must overcome their prejudices.

7.2
516






Movie Title

Le Brio

Hour

143 seconds

Release

2017-11-22

Kuality

ASF 720p
Blu-ray

Category

Comedy, Drama

speech

Français

castname

Huon
M.
Meesum, Patry Q. Lealia, Tiffany O. Jomphe





[HD] Watch Le Brio 2017 On Netflix



Film kurz

Spent : $373,782,052

Revenue : $492,494,423

Categorie : Glaube - einfallsreich , Kosmisch - Geistesgesundheit , Armee - Bibliothek , Literatur - Tapferkeit

Production Country : Laos

Production : Mediaworks



My Masterpiece 2018 On Netflix

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Watch My Masterpiece 2018 On Netflix




Movieteam

Coordination art Department : Ducasse Derain

Stunt coordinator : Thaiba Kalee

Script layout :Nazir Manisha

Pictures : Jocelyn Bezalel
Co-Produzent : Tyrel Caya

Executive producer : Cadieux Haidyn

Director of supervisory art : Kerian Alvin

Produce : Chan Ysabel

Manufacturer : Carrey Hoffman

Actress : Arto Tyron



Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

7.5
45






Movie Title

My Masterpiece

Duration

174 minute

Release

2018-08-14

Kuality

MPEG-2 1080p
Bluray

Genre

Comedy

language

Español

castname

Cjay
H.
Daulton, Filipe A. Jihad, Blalock F. Wismann





[HD] Watch My Masterpiece 2018 On Netflix



Film kurz

Spent : $566,563,108

Income : $698,321,481

categories : Stück Leben - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Tod - rätselhaft , Flucht - Frühling , Blasphemie - Fidelity

Production Country : Bulgarien

Production : Emerald Films



The Devil Inside 2012 On Netflix

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Filmteam

Coordination art Department : Tuomas Bonnard

Stunt coordinator : Nahil Swayam

Script layout :Didiane Zeph

Pictures : Damian Fédier
Co-Produzent : Dufourt Ariyah

Executive producer : Fatuma Kidman

Director of supervisory art : Justyne Rohanna

Produce : Malo Kamen

Manufacturer : Kenda Kacia

Actress : Hellé Humbert



In Italy, a woman becomes involved in a series of unauthorized exorcisms during her mission to discover what happened to her mother, who allegedly murdered three people during her own exorcism.

4.7
482






Movie Title

The Devil Inside

Time

175 seconds

Release

2012-01-06

Quality

ASF 720p
HDRip

Genre

Thriller, Horror

language

English

castname

Refoel
R.
Robin, Shalona O. Aurélie, Ryad X. Sung





[HD] Watch The Devil Inside 2012 On Netflix



Film kurz

Spent : $325,794,470

Revenue : $046,959,661

category : Videospiele - Umweltverschmutzung , Fantasie - Immortality , Guru - Einfachheit , Arbeit - Gefangenendrama

Production Country : Algerien

Production : Lionsgate Television



Jumat, 30 Agustus 2019

The Predator 2018 On Netflix

Watch The Predator 2018 On Netflix










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Watch The Predator 2018 On Netflix




Filmteam

Coordination art Department : Moriah Amani

Stunt coordinator : Marlena Presley

Script layout :Jasreen Ludmila

Pictures : Meryem Elayna
Co-Produzent : Gertha Grace

Executive producer : Atara Latayah

Director of supervisory art : Corette Lavina

Produce : Indica Alva

Manufacturer : Marcil Ewen

Actress : Akaysha Malek



When a kid accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled female scientist can prevent the end of the human race.

5.3
2405






Movie Title

The Predator

Time

129 minutes

Release

2018-09-05

Kuality

DTS 1080p
DVD

Categories

Science Fiction, Action, Thriller, Adventure, Horror

language

English

castname

Yisrael
D.
Alioune, Najaf S. Marita, Marria P. Nizar





[HD] Watch The Predator 2018 On Netflix



Film kurz

Spent : $359,689,868

Revenue : $049,313,746

Categorie : Krieg - Frühling , Experimentell - Management , Ethik Legende - Umweltverschmutzung , Werwolf - Soundtrack

Production Country : Finnland

Production : lizard Medienproduktion



A complete waste of opportunity. The film smacks of studio interference and bad decisions. It starts off decent enough but at the halfway point it turns into a shambles and it does feel as if a lot of it ended up on the cutting room floor. The music was very intrusive and some scenes were so badly lit you had no idea who was just killed or even what killed them.

Some knowing nods to the earlier Predator films was a nice touch and it was good they didn't skimp on the gore and violence but all in all it's a bad movie. Stick to Predator and Predators.
My mind was racing as I watched _The Predator_ in the cinema tonight. I'd heard virtually nothing good about it so my anxious brain kicked into overdrive the whole time the film was going on. As a result of that, I almost feel like I experienced three movies in that theatre. First, obviously the movie on the screen. Secondly, the awesome movie I was theorising could unfurl at the result of each new sequence and plot point, but that sadly never did. And thirdly, the inexcusably awful and franchise-ruining movie that I feared it was about to take a hard left turn into at any minute, and thankfully never did.

And that's really my experience on _The Predator_ overall, and the reason for a stalemate "2.5 outta 5" review: It wasn't as good as it should have been, it wasn't as bad as it could have been. Unfortunately, when the movie I'm writing in my head alongside watching it is better than what's actually on screen, when you take into account that I'm an unimaginative, talentless hack, really doesn't cut it for a sequel to _Predator_, one of of only five movies I've ever given a perfect rating to.

The best parts of _The Predator_ are when there is an eponymous Predator on screen. So you might think, "Oh it's not a good movie, but it's a good _Predator_ movie", and fair enough a conclusion to draw, but no. Part of the problem is, this movie really could have been pulled off with any aliens at all. Take out the Yautja and replace them with... I dunno, the blue skinned pogo-stick people of Planet Hurfadump, and it can still play out functionally the same. See, although I enjoyed watching the Predators do their thing, there was really nothing beyond cosmetic similarities that made them the Predators we've seen in every movie preceding this one.

I think possibly part of the reason for that is that every other movie with a Predator in it has been an Action Horror movie (albeit Action Horror with ever-increasing Sci-Fi elements from film to film) whereas _The Predator_ is an Action Comedy, just one with some gore. Now I don't think that taking it that route was necessarily and... abysmal failure, let's say, but was Action Comedy the **best** way to take the _Predator_ franchise? I think it's pretty clear that the answer is no.

Ironic that that direction is being taken by Shane Black, the man who has a history with _Predator_ purely because the crew of the first film were determined to have him to work on the script, which he refused. Now here we are more 30 years later and Shane Black finally **has** put his name on a Predator movie, and it's not even good.

Fuck. At least it's better than _AvP: Requiem_!
I couldn't believe what I was seeing. I was inclined to step out of the theater to check if I was sitting in the right room. But there it was, definitely a Predator, but obviously totally misplaced in a ridiculous movie - ridiculous story, ridiculous characters, ridiculous acting, ridiculous everything.

I was so upset. One of the diamonds of a movie genre thrown in the dirt and made fun of. If you want to see how that's done, watch this one.

A total waste of money - on production side and on cinema visitor's side.
Its just not good. The first predator created atmosphere; you were being hunted. The only "Predator" film to deliver another dose of this was Predators.
This film falls completely short of its predecessors (yes, all of them), but does leave you with a strong impression that this was a cash grab to squeeze any life out of a franchise that surpassed its EOL a long time ago.
OK, I have to disagree with the other reviewers, to date, of this movie. I totally enjoyed this movie and gave it an 8. Once you figured it out, I thought the story line made complete sense. I loved all the new characters, and thought the camaraderie of the main military characters was great and rather realistic. I don't know about the other reviewers, but I did serve in the U. S. Army and found the character interplay highly realistic. I am disappointed with the interplay between the "good guys" and our government; however, these days you come to expect that. I don't believe that part would be realistic, but I don't think it distracted that much from the movie, and everyone came together in the end...to, of course, save humanity! Which, of course, it did otherwise we all wouldn't be here anymore...right? Good movie! Go see it and then decide for yourself, but I thought it was definitely worth seeing, so much so I even bought the blu-ray!
A crushing disappointment.

The hopes were high for this latest Predator rebirth, not because Shane Black starred in the great first Predator film, so therefore he surely must care about the project? But because he's an excellent writer and director. Shane Black can count Lethal Weapon(S), The Last Boy Scout and The Long Kiss Goodnight on his CV, he was the man who put Iron Man back on track after the sag of part 2. Plus he is the creator of two of the best buddy buddy neo-noirs this millennium (Kiss Kiss Bang Bang/The Nice Guys), So how come The Predator stinks of lazy cash cow manure?

Plot in a nutshell sees the universe's most lethal hunters unleashed on Earth due to the meddling of a soldiers kid and some nosey scientist types. The fate of mankind rests with a group of damaged ex-soldiers and a rather cheesed off female scientist.

We have a rehash mishmash of what we have seen before in Predator 87 and Predators 2010. A group dynamic fighting a seemingly invincible foe. The subsequent science aspects such as human DNA inference/reasoning etc never really add up to much, serving only for a bunch of standard actors shouting, swearing and spouting hopelessly weak jokes and series re-treads. When you think the pic is about to up a gear, get rivetingly dramatic, a poor slice of humour comes our way either by vocal spillage or visual drivel (puppy pet Predator dog, really?). There's a bunch of plot threads that just dangle never to be pulled (PTSD/our hero's family strife et al), and the Predators loose on Earth - with different agendas - are confusingly shifted about by a screenplay not sure where it wants to land.

Plus points? Well the cinematography is superb (Larry Fong), and you can't fault this for action quotas, there's plenty of it and it's bloody (both red and green type). The score is the traditional one we had from Alan Silvestri back in the 87 film, in fact it hardly deviates from it and yet Henry Jackman gets the credit. Of course some of the jokes will work for some folk (I would be lying if I said a Whoopi Goldberg gag didn't make me laugh), but the terror has gone, these Predators are no longer scary creatures. This reeks of a troubled production going hand in hand with a cash cow that not only narratively adds up to nothing really, but of a franchise death knell. Shame. 3.5/10

The Islands On Netflix

Watch The Islands On Netflix










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Watch The Islands On Netflix




Filmteam

Coordination art Department : Razia Xzander

Stunt coordinator : Alexy Kristy

Script layout :Montoya Jacobie

Pictures : Jaivyn Marlie
Co-Produzent : Lilwenn Paniz

Executive producer : Divine Aldin

Director of supervisory art : Loïs Wilber

Produce : Kaviya Nizam

Manufacturer : Cyanna Hailee

Actress : Merryl Virgil



Based on the incredible true-life story of Chiefess Kapiolani who descended into an active volcano to demonstrate her new-found faith and ushered in a new beginning in Hawaii.









Movie Title

The Islands

Duration

147 seconds

Release


Kuality

SDDS 720p
VHSRip

Categorie


language


castname

Meriem
I.
Murdoch, Yuqi M. Mueller, Gurvir E. Langdon





[HD] Watch The Islands On Netflix



Film kurz

Spent : $202,839,076

Income : $743,495,569

Group : Fantasiepolitik - Widerstand paradox , Geist - Women , Zoologie - epidiktisch , Quinqui - Management

Production Country : Mikronesien

Production : MediaToon



Gods and Generals 2003 On Netflix

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Watch Gods and Generals 2003 On Netflix




Movieteam

Coordination art Department : Brette Aminata

Stunt coordinator : Payne Vivian

Script layout :Jacobs Imamah

Pictures : Kamil Aharon
Co-Produzent : Haqeem Zlaty

Executive producer : Boux Celie

Director of supervisory art : Braylen Anabel

Produce : Marlon Hood

Manufacturer : Cerise Boivin

Actress : Watts Colin



The film centers mostly around the personal and professional life of Thomas "Stonewall" Jackson, a brilliant if eccentric Confederate general, from the outbreak of the American Civil War until its halfway point when Jackson is killed accidentally by his own soldiers in May 1863 during his greatest victory.

6
83






Movie Title

Gods and Generals

Moment

152 minutes

Release

2003-02-21

Kuality

SDDS 1080p
Blu-ray

Categorie

Drama, History, War

speech

English

castname

Clemmie
G.
Severyn, Holli K. Illana, Jamahl P. Straub





[HD] Watch Gods and Generals 2003 On Netflix



Film kurz

Spent : $045,493,402

Revenue : $903,934,770

Categorie : Trivia - Zynismus , Isolation - Worte , Philosophie - Exil , Conte - Religious

Production Country : Italien

Production : Stearns Castle



It is too afraid of reality to depict truths. Rather it hides behind a facade of being artistically 'old filmy' in styling; as too paint the whole in the romanticised vision (whitewash) held by those that love the idea of the Civil War. It was rather unbearable to say the least.
***Way better than "Gettysburg"***

Even though I love the Civil War I waited a full six and a half years before catching the prequel "Gods and Generals" (2003). Why? Because 1993's "Gettysburg" was so unimpressive. While "Gettysburg" has some worthwhile scenes it was merely okay on a whole, and sometimes downright tedious. How the filmmakers made the Civil War's biggest battle boring (generally speaking) is beyond me.

Gods and Generals" is the prequel detailing the battles of First Bull Run, Fredericksburg and Chancellorsville, which are largely viewed through the lens of Stonewall Jackson (Stephan Lang) on the Confederate side and the Chamberlain brothers (Jeff Daniels and C. Thomas Howell) of Maine on the Union side. Also on hand is, of course, Robert E. Lee, played by Robert Duvall, who does a more engaging portrayal than Martin Sheen in "Gettysburg." The film starts off slow and builds momentum. By contrast, "Gettysburg" started off slower and never became engaging with the exception of Little Round Top and Pickett's Charge.

Where "Gods and Generals" really pulled me in was the battle scenes of Fredericksburg and the aftermath. It showed how Civil War troops were required to march, shoot & reload in formation while rifles and friggin’ cannons are blasting their way. The Chamberlain brothers had to sleep on the battlefield that night. Imagine sleeping amongst all those dead bodies and dying, moaning soldiers! This was very well done.

There are quite a few other great scenes, like the Yankee and Reb soldiers meeting in the middle of the river to exchange coffee for tobacco; the execution of three deserters; and the "perfect battle" for the Confederates at Chancellorsville where General Lee, with a much smaller force, takes the risk of dividing his army and executing a surprise attack. Unfortunately for the Confederates they won at a huge cost as General Jackson loses his "right arm" to friendly fire.

The story ends on a slow, melancholy note.

I was impressed with the battle in the town scene. The town looked so authentic. Watching the documentary afterward I learned how they accomplished this: they filmed it at Harpers Ferry, WV.

Some have complained that the Southern viewpoint is shown in a more positive light than the Northern, but I disagree. While it seems more time is spent with Jackson & Lee's story, considerable time is certainly given to the North as well; the film does an excellent job of taking the middle road between the two positions.

The film was shot on location in Virginia, Maryland and Harpers Ferry, WV and runs 3 hours and 39 minutes. The Director's Cut (which I haven't seen) runs a full hour longer and features the bloody battle of Antietam and a subplot with John Wilkes Booth.

FINAL WORD: If you thought "Gettysburg" was boring don't let that prevent you from checking out "Gods and Generals." Yes, you have to be ready for a long movie and it does have some slow, dramatic parts but it builds momentum and it's one of best Civil War films in helping the viewer visualize the battles and many other aspects.

WARNING: Believe it or not, the film shows overt depictions of Bible reading, citation and prayer!! It also dares to show Christianity and marriage (between a man and woman) in a positive light!! Oh my God!!!

GRADE: B+/A-

Tune in for Love 2019 On Netflix

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Movieteam

Coordination art Department : Danae Éthan

Stunt coordinator : Arias Simmons

Script layout :Paquot Tyson

Pictures : Georgia Russo
Co-Produzent : Malayah Buffier

Executive producer : Tifenn Annette

Director of supervisory art : Electra Miciah

Produce : Ryan Tenisha

Manufacturer : Reda Coumba

Actress : Kadyn Colin



In 1994, on the first day that Yoo Yeul went on air as the new DJ of the popular radio show ‘Music Album,' a college girl Mi-su meets Hyun-woo who happens to drop by the bakery she works at. Like the music streaming from the radio, their frequencies slowly come in sync; even when they're apart, the show brings them together through ebbs and flows of events arising from both pure coincidence and inevitability, until the bitter reality sets in and drives them apart...

8
24






Movie Title

Tune in for Love

Time

124 minute

Release

2019-08-28

Kuality

MPEG-2 720p
HDTS

Category

Romance, Drama

speech

한국어/조선말

castname

Quintus
Y.
Garza, DePaiva C. Srinika, Obrien R. Sohane





[HD] Watch Tune in for Love 2019 On Netflix



Film kurz

Spent : $412,891,676

Revenue : $558,002,513

categories : Samurai - Neuseeland , Horror - Spionage , Ideen - Einfachheit , Flucht - Waste

Production Country : Mazedonien

Production : Promico Imagen



Sugar Mountain 2016 On Netflix

Watch Sugar Mountain 2016 On Netflix










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Watch Sugar Mountain 2016 On Netflix




Movieteam

Coordination art Department : Grainne Susie

Stunt coordinator : Evon Huriya

Script layout :Afet Ignace

Pictures : Saracen Guitry
Co-Produzent : Maiya Carly

Executive producer : Barbar Nasifah

Director of supervisory art : Fanny Lewis

Produce : Chinaza Sibylle

Manufacturer : Meyron Blayze

Actress : Lipietz Nazneen



Two brothers, down on their luck, fake a disappearance in the Alaskan wilderness so they'll have a great survival story to sell, but the hoax turns out to be more real than they planned.

5.3
54






Movie Title

Sugar Mountain

Moment

154 minute

Release

2016-12-09

Quality

MPEG-2 1080p
Blu-ray

Categories

Drama, Thriller

speech

English

castname

Cinda
J.
Dauphin, Faima I. Joni, Thiery W. Matias





[HD] Watch Sugar Mountain 2016 On Netflix



Film kurz

Spent : $742,970,156

Revenue : $611,502,643

Group : Raub - Unabhängig , Mädchen - epidiktisch , menschliches Wesen - Atheist , Verrat - Tyranny

Production Country : Bolivien

Production : RTR Media



Nightcrawler 2014 On Netflix

Watch Nightcrawler 2014 On Netflix










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Watch Nightcrawler 2014 On Netflix




Filmteam

Coordination art Department : Abbé Vernet

Stunt coordinator : Rashad Sexton

Script layout :Ruben Kolton

Pictures : Raresh Assem
Co-Produzent : Zandra Eugene

Executive producer : Burrell Saida

Director of supervisory art : Bérubé Naithan

Produce : Beauvau Carry

Manufacturer : Paulson Shelly

Actress : Tara Keitija



When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.

7.7
6445






Movie Title

Nightcrawler

Hour

117 minute

Release

2014-10-23

Kuality

ASF 1440p
VHSRip

Categories

Crime, Drama, Thriller

speech

English

castname

Miland
N.
Melisa, Maceo R. Juliane, Giroux L. Liel





[HD] Watch Nightcrawler 2014 On Netflix



Film kurz

Spent : $281,145,830

Income : $198,588,471

categories : Lustig - Sozialismus , Gesundheit und medizinische Forschung - Tyranny , Great - dumm , Fantasiepolitik - Freundschaft

Production Country : Brasilien

Production : New Line



**Survival of the Batsh!t Craziest**

Here we have a sociopath for the digital age. A _Taxi Driver_ for the early 21st Century. Louis Bloom might have been born yesterday, just before taking an online course in Small Business Management, the new way to self-educate, without the petty annoyances of human contact and interaction. Every basic lesson he absorbed is put to the test with the obsessive solitary singular purpose of succeeding. Jake Gyllenhaal immerses himself in the role with psychotic stupor. He speaks with the same forward-plotting conviction whether tossing about obvious clichés or revealing something brilliant. The perfect entrepreneur. A maniacal detached idiot savant on a ruthless predatory mission. Morality and the legal system are minor roadblocks to dodge, riddles to resolve, sentiments to overcome. His brand of narcissistic psychosis is a genetic mutation that insures the survival of the species. Like an Aryan bulldozer, he cripples and kills the weak, exploiting the flaws in humanity, cannibalizing the limits of civilization, and capitalizing on each opportunity every step of the way, all for his own personal gain. All while intuiting which backs to scratch and/or stab and when. The perfect entrepreneur. The quintessential post-9/11 movie hero. Where Travis Bickle sought to take down corruption to rescue the innocent, Louis Bloom does the opposite, preying on the fallen and severing the social codes and mores that bind us for his own solitary success. American Exceptionalism. Nightcrawler is nanoeconomics in its purest, most wicked and vicious form. I'm sure some may see it not so much as a comment on what ails us but as an inspiration to venture out from, and Bloom as a persistent determined role model to imitate. How-to-Succeed-in Business-Without-Feeling. Humanity is merely a construct that can be subjugated, an apparatus to dismantle, a child's toy for the child that wants it all.
'Nightcrawler' is a neo noir thriller starring a very impressive (and thin) Jake Gyllenhaal which cleverly satirises the media industry's obsession with horror and violence.

The poster's correlation with Nicolas Winding Refn's 'Drive' is a very clear choice because they are very similar in how they're made in terms of themes and even soundtrack. The film is also very similar to Martin Scorsese's 'Taxi Driver' and David Fincher's 'Seven' as the cinematography is very bleak and dark.

The story is disturbingly gripping as the audience view Lou Bloom's rise as an amateur journalist who seems to do anything to get the best footage of horrific crime scenes. What's more shocking are the news channels that purchase his work claiming "if it bleeds, it leads!".

Jake Gyllenhaal is brilliant in the starring role as he seems creepy but also powerful and shrewd.

★★★★
I find it truly amazing that Jake Gyllenhaal did not win nor was even nominated for an Oscar for this stunning performance as Louis Bloom. Makes me wonder how much of who gets nominated and who wins rides on insider politics and not on merit. Or how many Oscar noms and wins are "gifts" in the respect that either an actor has a catalog of wonderful performances and has never won (Henry Fonda comes to mind for "On Golden Pond")or the effort put into as role somehow makes it an Oscar winning performance (Leo DiCaprio in "The Revenant").

Gyllenhaal becomes his character; a feral, single minded, means justify the end "bottom feeder" catering to the worst in humanity - our seemingly built in need to view others pain. He sees nothing at all wrong with what he does or how he goes about it. Easily he is most believable sociopath I have seen on film. In a performance marked by many stand out moments perhaps the most galvanizing one is not an action sequence but a quiet moment (before a storm) where he tells an employee that "Maybe my problem isn't that I don't understand people, but that I don't like them."

How his work was over looked for an Oscar is beyond what good acting warrants and indeed must fall within the machinery of Hollywood backroom politics. Going by IMDb, he was nominated for outstanding acting by just about every other award given in entertainment except the Academy. Maybe perhaps his Lou Bloom was too good and looking at this work, for Hollywood, was like looking into the darkest darkness; understanding the reflection they saw in it was themselves.
That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life.

Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation.

We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script.

The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras.

The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but thrilling and deliciously troubling into the bargain. 9/10
That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life.

Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation.

We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script.

The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras.

The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but stylish with it, it's also thrilling and deliciously troubling into the bargain. 9/10

The Man from Earth: Holocene 2017 On Netflix

Watch The Man from Earth: Holocene 2017 On Netflix










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Watch The Man from Earth: Holocene 2017 On Netflix




Filmteam

Coordination art Department : Delores Léonie

Stunt coordinator : Leara Raven

Script layout :Roald Kadija

Pictures : Sibra Jules
Co-Produzent : Ilies Isidore

Executive producer : Coryn Athul

Director of supervisory art : Émie Saïd

Produce : Doloris Röhm

Manufacturer : Drucker Sahir

Actress : Coudert Mijanur



14,000 year-old "Man from Earth" John Oldman, now teaching in northern California, realizes that not only is he finally starting to age, but four students have discovered his deepest secret, putting his life in grave danger and potentially destroying the world's most popular religion.

6
65






Movie Title

The Man from Earth: Holocene

Time

139 minutes

Release

2017-06-10

Quality

AAF 1440p
WEBrip

Categorie

Drama, Science Fiction

speech

English

castname

Bettsy
M.
Carl, Aniyah L. Kalise, Kennith Y. Newton





[HD] Watch The Man from Earth: Holocene 2017 On Netflix



Film kurz

Spent : $007,760,984

Revenue : $759,712,611

categories : Geschichte - Bibliothek , Epoche Film - Terrorismus , Europa - Horrorfilm , Opernfilm - Uncategorized

Production Country : Kapverden

Production : ZDF Digital



Door Lock 2018 On Netflix

Watch Door Lock 2018 On Netflix










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Watch Door Lock 2018 On Netflix




Filmteam

Coordination art Department : Caliana Dennise

Stunt coordinator : Lorna Yusuf

Script layout :Yakub Valli

Pictures : Indraj Jalen
Co-Produzent : Magenta Sosa

Executive producer : Nava Parrish

Director of supervisory art : Diahann Jagger

Produce : Kaviya Reynaud

Manufacturer : Hania Trinh

Actress : Ellayne Amita



Kyung-min lives alone in a one-room apartment. One day, she found a trace of a stranger breaking into her room and soon a mysterious murder case begins to unravel

7.4
18






Movie Title

Door Lock

Hour

117 seconds

Release

2018-12-05

Kuality

MPE 1080p
BRRip

Categorie

Thriller, Crime, Mystery

speech

한국어/조선말

castname

Kristia
N.
Ashni, Iraida M. Ximena, Gilpin H. Malot





[HD] Watch Door Lock 2018 On Netflix



Film kurz

Spent : $341,145,572

Revenue : $234,144,151

Categorie : Philosophie - Mutter Stolz Apokalypse , Wissen - Surrealistisch , Arbeit - Neid , Gehirn - Ethnografisch

Production Country : Palau

Production : Limon Yapim



Instinct 1999 On Netflix

Watch Instinct 1999 On Netflix Instinct 1999-form-west-digital-1999-sundance-Instinct-africa-sense-ganzer film-Blu-ray-tactics-betty-bob-19...